" is fortunate to live in this world, look at a flower, a cloud drifting, listening to a bird, the whisper of the ears in a cornfield, to admire the traits of people , their tendencies, their breath secret. " Ingmar Bergman speaks well of reality.
seems that Marlowe masterfully have learned the lesson. For almost a decade and are on the scene after collaborating with the likes of Cesare Basile and Marcello Caudullo, it seems that the latest work, " Fiumedinisi "may have finally found their ideal size.
walls and surrounded by dark memories, thoughts attached to the windows and heavy cat curled up in red leather armchairs, the band Caltanissetta absorbs and regurgitates a reality riot of forms. Mix colors and paints with violence on the canvas of a shoegaze tired. There is resignation, but a slow process of metabolism of reality.
Search references and similarities seem rather pointless and an end in itself, good only for those who love outstanding music in two lines. I strongly believe that every band, even when others try to emulate sounds, otherwise absorb the lessons of those who preceded Music.
Most of the influences of Marlowe the meeting in more arts than in other areas of Euterpe, but for the simple reason that the thickness of their music goes beyond the 12 notes and draws heavily on literature and art films (that's what the reference to Bergman). Still, the literary references that depart from their group name, or Marlowe, is a dual literary heritage: the first by Philip Marlowe, Raymond Chandler's character that moves in hostile environments and is akin to contempt order. Secondly also brings to mind Christopher Marlowe: no less alien to the love of hostile environments compared to the character of chandleriana memory. Christopher loved the fights and his figure was ambiguous and determined during the recovery and admired romance, perhaps the era from which Marlowe (those of Caltanissetta!) Are unconsciously attracted to.
is not an easy drive of the nissen, both texts to music. A jewel in the Italian music scene, where recently emerging artists are flattered that mediocre just because they sound "weird" and often replaces the adjective easily the word "evil." Yes, it is fortunate to live in this world.
Johnny Cantamessa
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